How did Samuel Beckett's Waiting for Godot come to be performed in such places as San Quentin Prison
Mississippi during the Civil Rights Movement
Sarajevo under military siege
New Orleans's Lower Ninth Ward after Hurricane Katrina
And Zuccotti Park during the Occupy Wall Street protests
The Work of Poverty: Samuel Beckett's Vagabonds and the Theater of Crisis studies the appeal of Godot to audiences in settings of historical crisis and suffering
Lance Duerfahrd argues that these circumstances transform the performance and the reception of the play
Thereby illuminating a cathartic and political dimension of Beckett's work that goes unseen in traditional performance contexts
The resonance of one of the most canonical plays of the twentieth century within landscapes of disaster fulfills the aesthetic of ultimate penury that Beckett hones in his work
Here the subtractive and reductive dynamic of the Nobel Prize-winning author's craft comes into clearer view